![]() So unless you’re under a huge amount of time pressure, it’s OK to take a day off or simply keep your fingers moving by spending 10-20 minutes playing something you know well and really enjoy. We’re all human, and sometimes we're simply just not in the mood to practise – and there's no point in practising and creating new mistakes rather than overcoming them. Even consider filming yourself as well as recording yourself, you may notice tension that you were unaware of. But if it is a common occurrence then don’t be afraid to write in the correct fingering, highlight dynamics or remind yourself of a key change.īy recording your practice sessions you can listen back and perhaps spot some things you may want to consider doing differently that you miss in the moment of practicing or performing. ![]() If you miss something once, make a mental note. ![]() ![]() Obviously some music does have to be treasured, but photocopy your score and do whatever it takes to make it easier to interpret the music. If you’re tight for time, or you’re going to be stuck somewhere quiet like a train, take your music with you and read through it in your head.ĭon’t be afraid to scribble on your scores. Whether you visualise playing the part perfectly in the practice room or the concert hall is up to you, but spending some time away from your instrument, hearing the sound you're aiming for, seeing the music in front of you can make a huge difference to your mental and physical performance. Visualising yourself playing the music can also be extremely helpful. Spend some time listening to great artists and recordings of the music you are playing and try analyse what makes the artist or particular performance so great. For example, if you are singing in a foreign language, make sure you translate the libretto so you understand the true meaning behind the words. It's also important to understand your instrument, its repertoire, the history of the period and why the music is written a certain way. Being a musician is so much more than just playing the notes When you've overcome the problem, don’t go straight back to the beginning of the piece or passage practise working in and out of the phrase from a few measures before until a few after, to ensure continuity.Ħ. Once you’ve mastered the rhythm, you will find re-introducing the notes much easier. If it's a rhythmic problem, try practising the rhythm alone on a table or just using one note alongside a metronome so you don’t have to think about the notes as well, starting slowly then gradually increasing the tempo. Not every problem should be approached in the same way. Identify where you are stumbling out of time or continuously using the wrong fingering, work out why it's going wrong, then decide how you are going to fix it. By setting small and realistic goals, you will find you overcome tricky areas much easier, and you'll be less likely to beat yourself up for not completing absolutely everything you had planned.ĭon’t just play a piece or passage over and over again, and definitely don’t just power through a problem area and ignore it. If you aim to practise smarter, not longer, you will find yourself with a lot more willpower to draw upon. However, it is much more effective to practise little and often, and slowly chip away at your nemesis day by day. We’ve all been guilty of it at some point, and if we have an intimidating part to practise, it is easy to push it to the back of our mind. We all grow up with our teachers telling us "don’t leave it until the night before". You'll feel a great sense of accomplishment as you complete each goal. Then, break each goal down into smaller, focused objectives. Start with the end in mind: by having a goal for each practice session before you start playing, you will find you progress much more quickly and effectively. Playing through all your old music isn’t the same as practising. If you are going to do scales, consider the keys of the pieces you are rehearsing. And as a cool-down, revisit a piece of music you already know well and enjoy. Your warm-up doesn’t always have to be 15 minutes of scales try different technical studies or sight reading. Take it as an opportunity to prepare your body and mind for work and take stock of how you're feeling, how you're breathing, the tension your body is holding and why you are doing that particular exercise. But don’t just plough through the same warm-up routine every-time and let your mind wander – a warm-up isn't just about getting your muscles moving. Like a physical workout, a warm-up is essential.
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